This section includes some, but not all of the music contained within the methodology. From time to time new examples will be uploaded for your use. The uploads will also include musical examples not found in the book. They can be used to illustrate a particular point of study or simply provide a reference as to what the song should sound like. These examples are under copyright and can only be used for the purposes of instruction.
MP3 Downloads
4. Example Ascending Leading Tone page 11.
1. Definition Leading Tones page 11.
2. Example Leading Tones Example D Wahine.
3. Leading Tones G Tuning.
5. Descending Leading Tones.
6. Example Descending Leading Tone page 11.
7. Compound Leading Tones.
8. Example Compound Leading Tones.
9. Simple Alternating Bass page 14.
10. Alberti Bass page 14.
11. Habanera Bass page 14.
12. Latin Bass page 14.
13. `Olapa Bass page 14.
14. Pedal Bass page 14.
LEADING TONES
BASS ACCOMPANIMENT
Common Ipu Rhythms
15. Ipu Rhythm 1 -- page 15.
16. Ipu Rhythm 2 -- page 15.
17. Ipu Rhythm 3 -- page 15.
18. Ipu Rhythm 4 -- page 15.
19. Ipu Rhythm 5 -- page 15.
20. Ipu Rhythm 6 -- page 15.
SONGS
21. Hi`ilawe -- Example: Strophic form; pedal bass, kinetic patterns with habanera.
22. Hoea -- Example: Alternating bass and kinetic patterns page 48.
23. Maunawili Hula -- Example: An arranged song in strophic form with ipu.
24. Salomila -- Example: Old style slack key page 50.
25. Mele 1 -- Example: Straight bass alternation page 51.
26. Mele 2 -- Example: Latin bass alternation page 52.
27. Kalena Kai -- Example: Kalena Kai guitar page 54.
28. Kalena Kai -- Example: Arranged song in strophic form with ipu.
29. Old Tune -- Example: Jazz eighth notes (dotted eights) played over an Alberti bass page 58.
30. `Ula No Weo -- Example: Hula with guitars playing different kinetic patterns page 62.
Chord Chart Chapter 10 Open C Tuning
E kala mai i`au. Because of an incorrect file name, the wrong chord chart was uploaded during the auto assembly of the methodology. This pdf download is the correct file and replaces the chord chart on pages 233-234 of the methodology.
